TeenTix are subject to availability and often limited. The Ticket Office at McCaw Hall is located inside the building, directly through the main entrance off Mercer Street. This Ticket Office is open ONLY on performance days, two hours prior to showtime (5:30pm for evening performances beginning at 7:30pm, and 12:00pm for Sunday matinees beginning at 2:00pm). Plan your trip with the King County Online Metro Trip Planner King County Transit routes 3, 4, and 82 stop at 5th Ave. Saturday performance days: 1:00 - 5:00 p.m. With additional hours on mainstage performance days as follows: There are two separate locations for the Seattle Opera Ticket Office:ġ0:00 a.m. Policies will evolve over time in response to the pandemic. All employees, including staff & artists, will be required to follow the same protocols. Info and updates can be found hereĪs of August 2021, Seattle Opera is requiring masks and proof of vaccinations or negative COVID-19 testing to ensure a safe and successful return of the Seattle-area arts. Please note Seattle Center Arena construction hauling may affect travel on campus. Now accepting ORCA - Simply present your ORCA card to Monorail Cashier King County Metro Transit routes 3, 4, and 82 for McCaw Hall We believe in being leaders in racial equity work among our opera peers nationally, while keeping an open mind to learning and growing in areas where our company needs improvement."įor more information about Seattle Opera's commitment to fostering racial equity, see here. "Seattle Opera cares deeply about eradicating institutional racism and engaging with our community in a way that centers social impact within our art form and beyond. By continuing our emphasis on the work of Richard Wagner and by achieving national and international recognition for the quality of all our programming, Seattle Opera commits itself to advancing the cultural life of the Pacific Northwest through education and performance. Seattle Opera strives to produce musically extraordinary, theatrically compelling operas, employing uniformly high quality casts, dramatically aware conductors, and innovative yet textually concerned directors and designers.
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